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Latest
Cupertino hits 7.17M after seven days; Line of Fire doubles too
Early Nielsen multi-platform data shows CBS and NBC’s new 10 p.m. dramas more than doubling same-day audiences, resetting how buyers should read TV ratings.
Latest numbers
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Susan Sarandon Says Studio Roles Vanished Over Gaza Stance
At Venice, Susan Sarandon said agencies still advise against hiring her over her Palestine advocacy. What that signals about talent risk and…
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Venice Chief Barbera On AI, Absent Studios And Oscar Odds
Venice artistic director Alberto Barbera on AI in official selection, why US studios stayed away, Oscar contenders and the festival’s Gaza scheduling…
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Venice’s Gaza Docs and the Awards Pipeline Buyers Must Watch
Two Gaza documentaries land at Venice, one already Palestine’s Oscar entry. What the festival-to-awards pipeline means for buyers and programmers.
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Why YA Is Streaming’s Most Reliable Catalog Engine
‘Sterling Point’ hit in eight episodes and is already renewed. Here’s why young-adult drama remains streaming’s most dependable catalog and retention play.
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Netflix Lines Up Richard Osman’s We Solve Murders Series
Richard Osman has hinted that Netflix is developing a series based on We Solve Murders, a year after The Thursday Murder Club…
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Bad Bunny’s Halftime Show Sweeps Seven Emmys, A First
Bad Bunny’s Super Bowl LX halftime show won all seven Emmys it was nominated for, becoming the most awarded halftime performance ever…
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Venice’s ‘Agata the Writer’ Tests the Arthouse Buyer Math
Kuba Dorabialski’s debut with Mia Wasikowska premiered in Venice’s Giornate degli Autori. Why divisive festival titles are a distinct acquisition category.
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Wild Horse Nine Lands Nov. 6 With Festival Buzz Behind It
Martin McDonagh’s Wild Horse Nine drew a 14-minute Venice ovation and a strong Telluride debut. What that means for Searchlight’s Nov. 6…
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Macklemore’s Gaza Remarks Test Live-Event Brand Safety
Macklemore’s onstage Gaza remarks at MetLife triggered a petition to drop him from Ed Sheeran’s Loop tour. What it signals for live-event…