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Latest
Clayface Opens to $10.4M, Eyes $24M Weekend
Clayface’s $10.4M Friday leads the North American box office; A24’s You Can See Everything expands to $6.14M as Wildwood starts at $4.28M.
Latest numbers
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US Congress Drafts 20% Federal Film and TV Tax Credit
A bipartisan US bill would create a 20% federal film and TV credit, up to 30% with uplifts, stacking on state incentives…
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65 Films Have Crossed $1B. The Pattern Is Clear.
The Hollywood Reporter’s ranking of every $1B-plus film shows animation, legacy IP and China driving the club’s newest members. What it means…
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RHONY Season 16 Shows How Bravo Feeds Peacock’s Funnel
Real Housewives of New York City returns Sept. 8 on Bravo with next-day Peacock streaming – a windowing and bundling playbook worth…
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Jim Geoghan, ‘Suite Life’ Co-Creator, Dies at 79
Jim Geoghan, co-creator of Disney Channel’s The Suite Life of Zack & Cody and EP on its India remake, has died at…
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Warner Bros. Dates Shyamalan’s Remain for February 2027
Warner Bros. has dropped the first trailer for Remain, the Shyamalan-Nicholas Sparks adaptation with Jake Gyllenhaal. Here is why the February 2027…
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Jimmy Smits Joins Final Season of AMC+’s Daryl Dixon
Jimmy Smits joins The Walking Dead: Daryl Dixon for its fourth and final season, landing on AMC+ in 2027. What the franchise…
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Shatner Mocks Space Force Look As AI Hero Post Hits 41M Views
William Shatner likened Trump’s Space Force uniforms to Spaceballs, while a White House AI Green Lantern clip passed 41 million views on…
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Queer Edward II: The Business Case for Archive-First Docs
A 30-year-old reel of behind-the-scenes footage becomes a 97-minute documentary. Why archive-first docs are becoming streaming’s smartest low-cost catalogue play.
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Zeller’s Bunker Bets on Cruz and Bardem for Specialty Play
Florian Zeller’s third feature Bunker pairs Penelope Cruz and Javier Bardem for Sony Pictures Classics. Mixed reviews, star power and what it…