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Imperium: 60 Hours of Soviet Archive Footage Gets a Second Life
Sergei Loznitsa cuts 60 hours of unaired 1970s Italian footage of the USSR into a near three-hour film. What it says about archive value and long-form docs.
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A24 Unveils Elizabeth Holmes Doc as Telluride Secret Screening
Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary premiered as Telluride’s secret screening, with an A24 release set for October.
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Venice Premiere Halted Over Subtitles, Then a 7.5-Minute Ovation
May el-Toukhy stopped her Venice competition premiere of Woman Unknown over out-of-sync subtitles. The film restarted and drew a 7.5-minute ovation.
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Susan Sarandon Says Studio Roles Vanished Over Gaza Stance
At Venice, Susan Sarandon said agencies still advise against hiring her over her Palestine advocacy. What that signals about talent risk and…
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Venice’s Gaza Docs and the Awards Pipeline Buyers Must Watch
Two Gaza documentaries land at Venice, one already Palestine’s Oscar entry. What the festival-to-awards pipeline means for buyers and programmers.
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Why YA Is Streaming’s Most Reliable Catalog Engine
‘Sterling Point’ hit in eight episodes and is already renewed. Here’s why young-adult drama remains streaming’s most dependable catalog and retention play.
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Netflix Lines Up Richard Osman’s We Solve Murders Series
Richard Osman has hinted that Netflix is developing a series based on We Solve Murders, a year after The Thursday Murder Club…
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Bad Bunny’s Halftime Show Sweeps Seven Emmys, A First
Bad Bunny’s Super Bowl LX halftime show won all seven Emmys it was nominated for, becoming the most awarded halftime performance ever…
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Venice’s ‘Agata the Writer’ Tests the Arthouse Buyer Math
Kuba Dorabialski’s debut with Mia Wasikowska premiered in Venice’s Giornate degli Autori. Why divisive festival titles are a distinct acquisition category.


