Room418 bets on vertical horror with 10-project slate

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Room418 launches with 10 vertical horror projects

Former Blink49 Studios, CBC and Shaftesbury executive Dylen Postnikoff has launched Room418, an LA-based horror microdrama platform and production company built for vertical, horizontal and mixed formats.

The company enters with 10 original and adapted projects in development. The slate includes a vertical reimagining of the public-domain 1968 film Night of the Living Dead and an adaptation of When the Black-Eyed Children Knock, a Wattpad story by Ben Sobieck.

Vertical first, IP later

Postnikoff, co-founder and CEO, said the platform is designed to ‘connect a global genre audience with a new generation of creators.’ The longer game is equally explicit: original programming is a pipeline for horror IP that can travel into film, television and beyond.

That reframes the microseries. Instead of disposable short-form content, each title becomes a low-cost proof point—a way to introduce a filmmaker, test an audience and de-risk a bigger bet.

Partners and product path

Room418 is coproducing an original project with Slash Management and digital horror creator Monse Gutierrez. It is also developing a horror series inspired by Filipino folklore with LA-based REELi Studios, planned to shoot in the Philippines and premiere on the platform.

The Room418 vertical video app will launch in invite-only beta later this autumn, running licensed horror content from creators and filmmakers. Technology partner Kino Studios is handling product and technical infrastructure ahead of a wider rollout.

  • 10 projects in development, covering originals and adaptations
  • Invite-only beta later this autumn, wider rollout later
  • Vertical, horizontal and mixed-format storytelling
  • IP designed to extend into film, TV and other formats

What media planners should watch

Room418 is part of a broader push to make vertical video a legitimate scripted format, not just a user-generated distribution channel. For entertainment marketers, the useful test is whether a microseries can generate audience data strong enough to justify a film or TV greenlight.

The slate’s mix of public-domain horror and Wattpad IP also lowers acquisition risk while giving genre fans a familiar entry point. If vertical viewing sessions hold, expect more studios to treat short-form as the front end of the franchise pipeline.

Source: C21media


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